Free fall, flow, wait, mix and enter

Slow stream is bumping me downstream in this makeshift boat of found objects, with an undercurrent that is about to flip everything around in lunar tidal show coinciding with the fork ahead.  Careful now--flow, flow, flow--steadily  pouring us into deep, quick river.  Are we ready?  Soon I will be a fish swimming upstream since steering is near impossible and it is time for shape shifting--I want to jump in now as longing is acute, but it is premature, and I am sure to drown in an imperceptible assurance of ability that has yet to prove itself and move beyond danger. Patience.  Hold me steady and place my hand in yours.  Where to?  Together we can tarry the night and heavy matter that oft holds us fast. If only this rudder was less a ribbon and more a sword, but then again, now we can slide over this drop, sailing freefall to the beauty below of white water and smooth stone.

Embrace the moment, breathe, and hold on.

Sometimes I would like to see the Other in the here and now.  Thinking about dimensions in this world. Shadows being two-dimensional reflections of our three-dimensional world.  And what about the three-dimensional world?  What does it reflect?  3-4-5-6-7...spaces unseen except in musing and a second sense of knowing, tasting, believing. 

It is time.

Time to allow opening up and immersion in holy water and holy fire.  Cleanse and purify.  Make ready.  Become a welcome door post for entry into this room with table set, sweet smell of feasting about...but where are the guests?  Wait. Wait. Wait. They are coming. I mustn't loose hope of my intuition that told me to prepare, make ready, FOR THEY SHALL COME.

How long do we wait?

We must keep everything warm and the lamps burning.

In all this I long to see Tarkovsky's world.  Feeling like I too am here in this house in wait, flowing in and out of time.  Waiting for the physician to come over the field.  Hands passing off gifts, tongues shaping words to linger the mouth and be given, to help steer the next moment.  The next door.

Dust of possibility lies in beautiful cups on my icon table.  The promise of Beauty.  A waiting that I can open.

Now. 

So I shall go and justify the means with an egg.  Yolk of incubation.  And incubation released.

Funny how the alchemy of mixing paint can propel my heart to open wider.  Bringing the two together: this dust and malleability through line, stroke, curve, finding love.  To reflect in pools of color gentle clouds, light, and layer the sounding board of God's promise. 

I can be an instrument.
I can wait.
I can learn to steer this boat.
I can keep warm and ready.
I can open the door.
I can see them coming.
I can feel the dawn breaking on the plains of the Great Cathedral.
I can taste vision.
I can make vermillion.

I can illumine.

And here, now, always,

Sweet hope.
 

Whimsical musings of space

So these are the few initial spaces that help to make me feel that things are obtainable (regarding my musings below--that place we are heading...).  Living sculpture/sculpture for living from The Rural Studio Project: http://speakingoffaith.publicradio.org/programs/2008/ruralstudio/particulars.shtml--just a sampling of what these architects can do.  Can't you see modern monasticism for the artist alive and well within these walls?

That place we are heading...

I have been out walking. The morning clouds spilled into rains and yet the two little people and I wanted to encounter its thick fresh air, brush pass the voluptuous ferns along the roadside, and peer over the bridge on the off-chance we might see a trout napping in the shadows. The rains died down, and so the air gathered more a mist, gifting a subtle incubus of space and time, fragrant earth, and sweet sleep for the riders in the stroller.

And my mind stirs to surface the many things that are speaking-- This notion of community, and current lack thereof; the love of God synonymous with love of neighbor; the way that I, as a mother, can make a difference in my children’s lives while pointing the way to a semblance of heaven on earth; collective acts of creativity pooled out to overflowing in waters of collaborative space. The why, the grief, the longing--all beautiful arrows that once and still point to that greater dream and propel me to ask how to form the door that can open to this place. Is it foolish to hope? I know I am not alone—but how to take action and make change. What does it look like? How can it serve? How to form the forgotten dust of Eden to build such a dream? 

What is it this severing? Spliced lives in heavy balance of all the needs of the day. The unity of simplicity lost. The intimacy of spirit, the intimacy of love, the intimacy of simply breaking bread broken down and sitting shelved and mostly forgotten. The ways of this culture wheeling along but broken: from the minimal glories of success to the monumental loss of time to trivial pursuits that keep us from each other and from true intimacy, growth of being, and gifting of self. I question myself and why this longing runs so deep. Not simply a monastic desire, but here in this desired place of New Jerusalem there are families, children, single people committed to another way of day-to-day sustainability and life. Feed my spirit, feed my body, feed my mind and creativity—feed each other. Is this not also where we find God? And true love? And I am one of the blessed few who share deep love and commitment with my spouse. But that too didn’t come without loss, pain, and a severing of a previous attempt at marital love that failed. So what is it? Where is it? How to find it if it has not been discovered, and how to create it if it is yet unknown? 

I want to know.

I know now that I feel like a traveler without home. But the fact that my being yearns, like an older deeper instinct, makes me think it exists, if only yet formless. Perhaps one needs to learn more about the communities that St. Basil set forth—but for artists? Sometimes I am only too acutely aware of all the ways that it is unattainable. To love God is to go further, to take the narrow road that has not even been forged through the wood. But to have enough vision to see it illumined through the darkness, and hear the sound of song from its heart echoing back: to trust, to hope, to follow.

May we be brave enough to try. 

So along with the daily needs of the day we pray for the quickening of the reality of the Abbey. For heaven on earth, for Love that sustains and never fails, for beauty that illumines the Creator, for a place to call home in this passing, dying world.

The photos above are from The Rural Studio Project--innovative architects concerned about the nature of community and the beauty of form. I should have been an architect. They get me excited and thinking.

St. George and the Dragon, and simple miracles

Slowly, I have loved a piece of wood with marble dust, chalk and warm hide glue.
Polished slowly, to catch the Light, to illumine the approaching shroud of pigments which will disperse like clouds in the formation of creation. Simple water and yolk.
But time laid out in these movements absorbed into my life. Silent and hidden foundation which now--only now--is finding form through curve, arrow, and ink.
And here am I--distilled. Entering. Setting fire to Athonite crystal breath of Our Lady of Iveron saturated in rose floating above my table, slow-motion caught in the light from my Eastern window.
And it is for the quietude and the abandonment of self and the beauty of gifted entrance that I rejoice. The voice is speaking in the hush of the barely audible breath of wind. Time flow. Brush flow. River flow out my window. The will of God in the here and now and always.
And prayer.
These private utterances of sound blowing the inner hut--brushed clean and warm.
Open wide the windows.
There are spring flowers there blooming out my window. They too are reaching East towards that light, bowing and blowing and boldly shifting landscape.
Rejoice! Hell was vanquished, time redeemed, and we must ready ourselves.
O dear saint George, I taste my tears and remember the love you lived.
What dragons do I slay in this my?

Diocletian spilled blood when George loudly renounced the Emperor's edict to kill and sacrifice any Christian soldiers--in front of his fellow soldiers and Tribunes he claimed himself to be a Christian and declared his worship of Jesus Christ. They had a hard time stilling his pulse. And now I find that even Muslims and Jews accepted him as a holy man. There is a shrine to St. George in the village of Beit Jala, beside Bethlehem, which had been frequented by all three of Palestine's religious communities as a place for healing. El Khudder —The Green, as Muslims called him (possibly also naming him the saint of fertility), sometimes confounding him with Elijah, but none the less seeking healing from powerful ailments. All three communities are still visiting the shrine and praying together to this day. Now the love deepens as this becomes a door for ecumenism and solidarity.

We all need healing.

And I now approach the moment of gold, pure and perfect. May heaven aid.

And may this day bring forth joy.


Above: Al-Khadir (right) and companion Zul-Qarnain (Alexander the Great) marvel at the sight of a salted fish that comes back to life when touched by the Water of Life.
Artist unknown

Palm Sunday and the mutability of time

"Rejoice greatly, O daughter of Zion! Shout aloud, O daughter of Jerusalem! Lo, your King comes to you; triumphant and victorious is he, humble and riding on an ass, on a colt the foal of an ass" (Zech 9,9)
Again the early rise with my most eager one and a half year old. Exuberance of life as the light has barely permeated this room. And I have been trying to wake most slowly, while grasping the passage of this Lenten stretch and how quickly it is coming to a close. I am perplexed in my awkward interior gaze, having had a rush of time past--links to the me here and now from other Lenten journeys. Such a desire to experience spiritual progress, notable growth, deeper understanding of the mysteries of life, but feeling in some sort of incubation period--the weight of that Everlasting-not-yet. I know there is much work to be done within me. I know I am needing to embrace the absolute of the moment, and unwind this impatient desire to be living the New Jerusalem. But then there are gestures of mercy and encouragement in such simple ways.
We found the tiniest of crocuses blooming right outside the front door--beautiful in pale purple and yellow.
And I see this as a greater affirmation of hope, yes-simple, yet observed too from the interior castle into the world--even small miracles are still miracles not to go unnoticed. Ask and you shall receive. God's hand reveals--in the still and quiet, the small and seemingly insignificant, the barely audible riding on a breath of wind.
And I shall be content in this moment. I shall be patient. I shall gather all the Lenten boughs in my garden and count my blessings. I will learn to appreciate the mutability of time, always changing, always with greater purpose, and trust the path set forth that we are upon.
Time now to place a fond of palm on the ground for welcoming the Innocent--singing and rejoicing and filled with thanksgiving.
And that alone will be sufficient.

And so another shift--my main body of icons are coming home, while new ones are going forth to St. Joseph's Abbey on Holy Saturday. St. George is soon to open (do the Russians use this term in the sense of flowers blooming into the fullness of their color? perhaps...), Our Lady of Guadeloupe will start her journey on my table too as soon as her board is ready. As soon as I get my camera situation secured (in "borrowing" from an offspring), I am starting a place to track visual progress of my icon table. I have wished there was a place to see the process of other iconographers (and there are a few), but many are very impersonal (here I stand as a lone wolf--we are supposed to strip self away altogether, but herein rides a fine line...to make personal without self aggrandissement--and so I shall try...) I want to bring the act of creating--in the realm of writing icons--into a sphere of accessibility, of warmth and approachability for anyone. Mistakes and all. I see this more frightening in laying forth humility--I am constantly learning, correcting myself, and growing. I would like to actually die to self in this execution. So I am prepping A visual record. It just doesn't seem right to include here--I like to segregate the words from the images. So by Easter I hope to have something there.


The early spiritual writer John Cassian (c. 365-435)muses on the entry into Jerusalem (through the Palm Sunday procession)on four different levels:
1. LITERAL--the historic event--Christ riding into Jerusalem in procession acclaimed as King a few days before his crucifixion.
2. ALLEGORICAL--Jerusalem stands for the Church that Christ established by his death & resurrection--united to us through each and every divine service through word and sacrament.
3. MORAL--Jerusalem is the individual human soul that receives Christ.
4. ANALOGICAL--the eternal abode that awaits--The road to heavenly Jerusalem where the kingdom of god will bloom in its fullness.
(lifted through Solrunn Nes's book "the Mystical language of Icons")

'Today He hears the children cry "Hosanna!" while the crowd replies, "O Son of David, make haste to save those whom Thou hast created!"' (Mattins, tone 8)

Andrei Rublev...

A still shared from the masterpiece of Andrei Tarkovsky'sAndrei Rublev (below image as well) gazing at a mandylion icon of Christ.

Mud, pigment, Lent and ashes...

I found the below words recently, written in my own hand some years back and it brought a wave of the familiar longings that preceded my entrance into iconography. Here between musings of the Eternal and a vision of being witness to hope, a tangible path is found to set foot to...here again in the Lenten journey we are about. From the desert to finding our way back to the garden...

There was a time when I would dream about mud. About pounding the earth, a dry and barren earth in a place where the sky runs big and stretches out to embrace this expanse of my dream. Before the exaltation of the empty tomb. A place where light waned, and the sound of solitude permeated deep. Was it grief? Alone I would sit, naked and focused, driving my hands into the crumbled soil over and over until the moisture from my own body would ease itself into my efforts and start shaping the earth into a crude clay. And then the rains came, igniting the parched dust in resistance at first, and washing my humble form with life, with purification after the oils of sweat spilled to the ground. It was in this merciful gesture that I was given sight to know that one's own will can transform the physical. That the potential for renewal is obtainable. Salvation. The alchemy of will. The power of miracles to breathe life, where Life can surmount and overcome.

When I was a young girl, I would hear stories of Native Americans too who had an appreciation for mud and the longings of resurrection. They would seek out the clays to anoint themselves with, and my father, in those rare and cherished moments of storytelling, would dig through a box of incubated memory and pull out a bag that contained a small, dried piece of blue clay, a beautiful and holy clay, given to him years earlier from A Sioux. The promise of life, it held the capability of being brought back to life with the tears of a warrior, to prepare oneself for battle, perhaps to prepare oneself for the next world if that was one's destiny.
It is this inexhaustible potential for rebirth that drives my vision to this symbolic understanding. I am forming this mud within my self and am convinced in the knowing that certain things fallen asleep have the ability to be stirred, breathe, and be formed again. A small still promise that the past rotating through the hand of the present can open and anoint the next door with the sign of the cross.

And it is in this light of ash, mud, clay and pigment that I return. Capturing form and matter stilled, distilled and luminous through water, yolk, tears and prayer stirred and mixed with the Joseph's coat of earth, ground and mixed to dust to be spread free and released with the touch of my hand. To open and cast light upon these windows, these icons from hence we shall find that pointing to salvation, that gaze of healing grace where we shall be cleansed and made whole. There where we can transit to the New Jerusalem washed, pure and gloriously resurrected.

This is Lent in the barren snow, set still upon my icon-table, traveling in heart towards the ripening bough.